Friday, 8 January 2016

OUGD504 | Evaluation

Overall I am happy with how OUGD504 turned out. It has challenged me on a number of occasions  which have forced me to think harder about design decisions, production outcomes and how my work would be perceived in the industry.

With the first brief, ‘My Design Process’ I started with very wide and general research as a leaflet is something I had never designed before. As well as the content there was the also the fold to think about; which at first I thought was very trivial and it didn’t affect the leaflet’s message so it wouldn’t matter. After much research it became evident that the type of fold completely changes how the reader interacts with the leaflet, meaning it plays a huge part in how much information they take in and how memorable the content is. In regard to my final resolution, I dole it on the whole but looking back there are some elements that I would change or plan differently if I were to do it again. One thing that didn’t go 100% to plan was the sizing of my leaflet. It was meant to be A6 size, this  however, wasn’t possible with 8 concertina folds as the printers in our university can only print double sided on a maximum paper size of A3, and my leaflet would need to be printed on A2. To avoid having a single-sided leaflet I compromised and scaled down my leaflet slightly in order for it to fit on the page, leaving my leaflet a few millimetres short of the original A6 size. Outside of university, in the real world, this would not be an issue as there are printers that are able to print double sided on all size paper, but due to university limitations this was the case for this project.  

The second brief that got set was to pick a Kickstarter project that interested or somehow engaged us enough to create or recreate a logo for that company/product. The biggest lesson I leant from this brief was the importance of having a range of ideas before settling on an idea. This allowed me to pick and choose from a range of ideas, compare and contrast them and possibly merge them to create more. I learned at this stage there are no bad ideas as they all eventually contribute.

Out of all the briefs that got set it was brief 3 that I got the most engaged with. This is because of my existing interest in publication design, photography and photography publications. The first hing that helped me out was the research I put into this brief; I was able to look though the publications I already had but also go to The Village Book Shop and Colours May Vary to gain a greater understating of colour, layout and stock. I feel my final outcome for this brief is the best work I have produced, but there are still certain aspects I would probably change if I were to redesign Type in Context: Liverpool. I took a lot of inspiration from a certain magazine, so during the brief I asked classmates and John if it was too similar and they all said it was nothing to worry about, I was just taking inspiration. Although I do agree, I still think in the future I will be able to notice my mistake sooner and rectify it. This is the brief that taught me the most about the production side of graphic design in this module. I had to overcome issues with stock, paper size and binding which will come in as useful experience in the future. 


This module has been hard but also very rewarding. I have been able to overcome a lot of issues that in level 4 I doubt I wold have been able to correct. This module has been a good start to the year on the whole though there are clear points that I need to improve upon in my own work ethic and my practice talent.

OUGD504 Studio Brief 4 | Evaluation

Evaluation

Studio Brief 4 was very challenging for me from the start. The brief that ONLY set us was one similar to a brief they were set by Sony. We had to create an ‘engaging campaign website’ for an upcoming album. At first I was very excited for this brief because it gave us the chance to essentially choose who we would be working for, but upon further research I was finding it very difficult to pick an artist. I found that the artist’s album either already had a very good campaign behind it, making it harder for myself to think of a better, original idea or the artist was keeping things under wraps, being very secretive. 

Another reason I found this brief a lot more challenging than the others was due to my time management. I fell behind on my work which meant I had to rush the development stages of this brief which has noticeably affected my final resolution in my opinion. In future I will aim to get tasks done well in advance which will give me adequate time to receive feedback and reflect upon it. 

If I were to do this brief again, apart from managing my time better I would definitely be more experimental in my work. Although the black and white colour scheme works well and is relevant to the band, I feel I may have played it safe in order to get it done. 


Overall, I am not very happy with my final resolution for this brief because I think I could have done better if I was able to manage my time better and spend more time on the website coming up with ideas and deeper, possibly more interesting concepts. 

OUGD504 Studio Brief 4 | First Developed Idea







On the right is part of the original Run The Jewels logo, one idea was to manipulate this image so there were three fingers getting held up rather than two, to represent their upcoming third album; RTJ3. 

This was done in Photoshop by taking one of the existing fingers and editing it using the paintbrush tool and colour picker. It came out very well and from the feedback received it is a good idea to go with. 














I abandoned this idea because looking through their website it seems their branding is already too big and they have a very unique way of branding themselves that anythingI do doesn't seem to work.

OUGD504 Studio Brief 4 | 60s Typography




OUGD504 Studio Brief 4 | Website Research




OUGD504 Studio Brief 4 | Type Choices


Swiss 911 Ultra Compressed
The font used by the band is 'Swiss 911 BT Ultra Compressed', so in order to get high quality type and logo-type images this had to be downloaded and used rather than just using PNGs from the internet.

This font is very reminiscent of the 60's and the typefaces used by bands at that time.


Din
Din was a suitable choice for this brief as it is clear, very eligible and is a mix between traditional and modern, much like The Last Shadow Puppet's music. 

OUGD504 Studio Brief 4 | Final Phone Design (Tablet)



The diffrence between the phone and the desktop site is that on the desktop the videos automatically play, this gives it more of a presence and sets up the concept. The reason it is not the same on the mobile device is because if a user is out and about they may not be expecting a video to be played.




Clear, to the point landing page.


Same menu as the desktop. Only difference is the 'play' and 'replay' button.




Due to the minimal, classic look trying to be achieved in the design, once the web design had been created it was relatively easy to transfer the same layout and usability and apply it to a phone. It still has the same pages and the same concept although it isn't as clear on the mobile device as it would be on the desktop. The black bars used on the desktop design really help give it that 'movie look', whereas it would not be suitable to add black bars on the phone. The design for the tablet is almost identical to the phone design, the only difference being it's larger.

Thursday, 7 January 2016

OUGD504 Studio Brief 4 | Final Desktop Design








The landing page introduces Turner and Kane as The Last Shadow Puppets as if they were actors returning to a famous role. This sets the tone for what is to come and the concept behind the website.

 Next is the old fashioned countdown that was seen before a film screened. This fits very well with the 60's aesthetic TLSP have and also the the style their promotional videos are done in.








Once the countdown is complete two promotional videos play automatically. There is the option to skip the videos if the viewer wished to do so.








Video 2.











Once the second video has finished (or the viewer skips them) it will then cut to a clip of burning film, again keeping in line with the old movie theme.



 This clip will then fade to the menu screen which can be seen here. The text ill roll up form the bottom of the screen like credits at the end of a film. This is where the user can choose to replay the videos, find out more about the band, share the videos to their social media, look at the tour dates and pre-order the album.
The 'About' page.



 The 'Tour' page. This is particularly empty as the band has just announced their reunion and have only confirmed one show as of yet - Coachella. 
 This is the page where the user will be able to pre-order the album. By having the 'pre-order' link on the bottom of all pages, this will hopefully increase the chances of them actually doing it rather than them just seeing the once on the menu page. 

























OUGD504 Studio Brief 4 | Feedback and Response to Feedback

Today in the crit I asked whether my concept was good enough to run with; everybody thought it was a decent idea if built upon and done correctly.

Suggestions:
  • Secret video screenings
  • (Cinema) Tickets to get bonus tracks/deluxe album/concert
  • Concert Tickets to be designed like cinema tickets
  • Promotional posters could be like movie posters

I am happy that my idea was liked and the suggestions I got could be useful, although I don't want it to become cheesy or overly obvious.

OUGD504 Studio Brief 4 | Concept

The concept behind the campaign/website is that this album is like a film/film soundtrack. This is due to the fact that TLSP's first album was so big and orchestral it got compared to a soundtrack on many occasions. The combination of this sound and how they dressed they were almost branded as a 60s / early 70s band, as seen by the art direction used; things such as how the model is styled and the choice of font in their artwork. Along with the sound and the brand, the music videos definitely resembled that of a film with dramatic, cinematic shots and lighting.








OUGD504 Studio Brief 4 | Wire Frames